Scottish Music Network step out their comfort zone of contemporary music and into the world of classical music as RSNO performed the score from the blockbuster movie Harry Potter and the Philosopher’s Stone.
The crowds began to form from early afternoon and snaked (rather fittingly) along Johnstone Terrace.
The well rehearsed drill used by the security staff worked a treat to ensure safe passage up the cobbled Castlehill Street,
Once inside the temporary structure that would accommodate the fans the sight is immediately drawn to the facade and ramparts of the magnificent Edinburgh Castle. The majority of the castle is obscured by the stage but it is still a magnificent sight.
Before too long the fans are greeted with the sight of the RSNO filling the stage and then conductor Justin Freer arrived to great acclaim.
Created, in part, by Warner Bros. the Harry Potter Film Concert series have toured the world since 2016 and will have performed almost 3000 times when 2025 comes to an end.
After a bit of a preamble the 3 big screens flicker to life and orchestra slowly and quietly begin…
The crowd are silent as they take in every moment of the movie and listen intently to the music on stage. Those present were represented by all age groups; a large number were brought up watching Harry Potter and were in attendance with their own children although, sadly, there were very few in Harry Potter themed dress.
The orchestra, as one would expect, was flawless in its delivery and to be in their presence was truly an honour.
To watch or listen to highly skilled and talented artists at the top of their profession is always a cherished moment.
It was a magical night for fans of Harry Potter and the venue couldn’t have been better. Sat atop the city looking down on the old town and stones throw from the Harry Potter themed shop.
As darkness began to set in, the castle seemed to be more imposing and the flames from the torches on the ramparts burned brightly against the dark stone walls to bring an added touch of drama.
Review & Photos by John Brown
